Live At The Main Point, 1975

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Live At The Main Point, 1975 Left Field Media – # LFM2CD503 - 05.02.1975 - The Main Point, Bryn Mawr, PA - Disc 1 - 01. Intro 02. Incident On 57th Street 03. Mountain Of Love (Harold Dorman) 04. BornTo Run 05. The E Street Shuffle 06. Thunder Road – Wings For Wheels 07. I Want You (Bob Dylan) 08. Spirit In The Night 09. She’s The One 10. Growin’ Up 11. It’s Hard To Be A Saint In The City 12. Jungleland - Disc 2 - 01. Kitty’s Back 02. New York City Serenade 03. Rosalita (Come Out Tonight) 04. 4th Of July, Asbury Park (Sandy) 05. A Love So Fine / Shout (Barnes/Kerr/Margo/Medress/Siegel-Isley/Isley) 06. For You 07. Back In The U.S.A. (Cguck Berry) - Notes - + Brucebase (05.02.1975): One show, held as a benefit for the ~270 seat coffeehouse, with Springsteen & The E Street Band the sole act on the bill. The show was emceed by DJ Ed Sciaky and began just after 9.00pm. It was not a true simulcast, rather it was broadcast by WMMR-FM on about a 2 hour delay the same night. Interestingly, Springsteen almost backed out of his promise to allow the show to be broadcast. He wanted to play new songs that were still unfinished - it took a concentrated effort by Sciaky on the day of the concert to talk Bruce round. An attendee review of the show from 1975 by critic David Fricke states the show took place on February 3rd, but this appears to be an error by Fricke given detailed interview comments by Sciaky and the recollections of other attendees. Press reports suggest that Springsteen raised over $1,000 for the Main Point. The complete show was broadcast and the above-noted 18 song setlist represents the entire concert. Not only is it one of the longest (160 minutes) single-show gigs up to this point but it's one of the most compelling performances of Springsteen's entire career. There are spellbinding renditions of “Incident", “New York City Serenade” and "For You" (in the solo piano arrangement), the earliest known performances of "Mountain Of Love" and "Thunder Road" (with work-in-progress "Wings For Wheels" title/lyrics) plus a wild, majestic version of Chuck Berry's "Back In The U.S.A.". This famous show has circulated on vinyl boots and tapes since the mid-'70s, but rarely the entire show (early vinyl boots were missing the final 6 songs in the setlist) and always in variable quality. The entire performance is now available in outstanding (though not flawless - see below) sound quality on the CDs ‘The Saint, The Incident & The Main Point Shuffle', in improved quality with a 'Masters Plus' subtitle (both Great Dane), ‘You Can Trust Your Car To The Man Who Wears The Star’ (Labor of Love) and most recently (and in the finest overall quality yet) on 'Prodigal Son At The Main Point' (Prodigal Son) and ‘Main Point Night’ (Crystal Cat). Also released to retail stores in the UK on a 2 CD set entitled 'Live At The Main Point' (Left Field Media) in April 2011. This is not an official Sony release, rather an enterprising record label taking advantage of a legal loophole. Unfortunately this release suffers from the same sonic problems detailed below and sounds much the same as the other releases. In July 2011 the final 63 minutes finally emerged in improved quality, thanks to a home-taping enthusiast from Philadelphia. He recorded the concert on reel at 3-3/4 IPS, and the result is a significant upgrade. The quality may not quite match the pre-FM segment, but it is the best we can expect unless a pre-FM source of the last hour should be found. A promotion-only 7” flexidisc issued to subscribers of Austrian pop magazine ‘Rennbahn Express’ in June 1981 contains Sciaky’s intro from this show, albeit edited to avoid references to WMMR and The Main Point. Thanks to Lost in the Flood for the flexidisc info. The final 63 minutes or so of this show (from around eight minutes into "Kitty's Back" onwards) has never surfaced in collector circles in quite as crisp, clear and dynamic a sound quality as the rest of the show. There are a couple of possible explanations for this but the most likely reason is that the early part of the show has been sourced from pre-broadcast reels (or copies of them) but the latter part of the show is sourced from a broadcast reel (which involves compression). In an interview in Backstreets Magazine #82 Ed Sciaky mentioned some important information, "We didn't have a phone line from the Main Point, so they had to tape the show in hour-long segments and then drive them to the station and put them on the air... and after the final reel had played, Bruce's lighting guy Marc Brickman (Lighting Director) took all of the tapes. So we (WMMR) never got a good copy of the show”. The concert broadcast was also likely to have been submitted to some kind of auto-limiter, designed to limit the volume difference between loud and quiet segments. This effect is audible throughout the FM broadcast. Contrary to myth the police siren heard at the conclusion of “Incident On 57th Street” is an audio prop that had been utilized at a few of Bruce’s shows just prior to this one, i.e. it was not a real vehicle.

Main Point Night

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Main Point Night Crystal Cat - # CC 729-30 - 05.02.1975 - The Main Point, Bryn Mawr, PA - Disc 1 - 01. Intro 02. Incident On 57th Street 03. Mountain Of Love 04. BornTo Run 05. The E Street Shuffle 06. Wings Forr Wheels (Thunder Road) 07. I Want You 08. Spirit In The Night 09. She’s The One 10. Growin’ Up 11. It’s Hard To Be A Saint In The City 12. Jungleland - Disc 2 - 01. Kitty’s Back 02. New York City Serenade 03. Rosalita (Come Out Tonight) 04. 4th Of July, Asbury Park (Sandy) 05. A Love So Fine 06. For You 07. Back In The U.S.A. - Notes - + Brucebase (05.02.1975): One show, held as a benefit for the ~270 seat coffeehouse, with Springsteen & The E Street Band the sole act on the bill. The show was emceed by DJ Ed Sciaky and began just after 9.00pm. It was not a true simulcast, rather it was broadcast by WMMR-FM on about a 2 hour delay the same night. Interestingly, Springsteen almost backed out of his promise to allow the show to be broadcast. He wanted to play new songs that were still unfinished - it took a concentrated effort by Sciaky on the day of the concert to talk Bruce round. An attendee review of the show from 1975 by critic David Fricke states the show took place on February 3rd, but this appears to be an error by Fricke given detailed interview comments by Sciaky and the recollections of other attendees. Press reports suggest that Springsteen raised over $1,000 for the Main Point. The complete show was broadcast and the above-noted 18 song setlist represents the entire concert. Not only is it one of the longest (160 minutes) single-show gigs up to this point but it's one of the most compelling performances of Springsteen's entire career. There are spellbinding renditions of “Incident", “New York City Serenade” and "For You" (in the solo piano arrangement), the earliest known performances of "Mountain Of Love" and "Thunder Road" (with work-in-progress "Wings For Wheels" title/lyrics) plus a wild, majestic version of Chuck Berry's "Back In The U.S.A."   This famous show has circulated on vinyl boots and tapes since the mid-'70s, but rarely the entire show (early vinyl boots were missing the final 6 songs in the setlist) and always in variable quality. The entire performance is now available in outstanding (though not flawless - see below) sound quality on the CDs ‘The Saint, The Incident & The Main Point Shuffle', in improved quality with a 'Masters Plus' subtitle (both Great Dane), ‘You Can Trust Your Car To The Man Who Wears The Star’ (Labor of Love) and most recently (and in the finest overall quality yet) on 'Prodigal Son At The Main Point' (Prodigal Son) and ‘Main Point Night’ (Crystal Cat). Also released to retail stores in the UK on a 2 CD set entitled 'Live At The Main Point' (Left Field Media) in April 2011. This is not an official Sony release, rather an enterprising record label taking advantage of a legal loophole. Unfortunately this release suffers from the same sonic problems detailed below and sounds much the same as the other releases. In July 2011 the final 63 minutes finally emerged in improved quality, thanks to a home-taping enthusiast from Philadelphia. He recorded the concert on reel at 3-3/4 IPS, and the result is a significant upgrade. The quality may not quite match the pre-FM segment, but it is the best we can expect unless a pre-FM source of the last hour should be found. A promotion-only 7” flexidisc issued to subscribers of Austrian pop magazine ‘Rennbahn Express’ in June 1981 contains Sciaky’s intro from this show, albeit edited to avoid references to WMMR and The Main Point. Thanks to Lost in the Flood for the flexidisc info. The final 63 minutes or so of this show (from around eight minutes into "Kitty's Back" onwards) has never surfaced in collector circles in quite as crisp, clear and dynamic a sound quality as the rest of the show. There are a couple of possible explanations for this but the most likely reason is that the early part of the show has been sourced from pre-broadcast reels (or copies of them) but the latter part of the show is sourced from a broadcast reel (which involves compression). In an interview in Backstreets Magazine #82 Ed Sciaky mentioned some important information, "We didn't have a phone line from the Main Point, so they had to tape the show in hour-long segments and then drive them to the station and put them on the air... and after the final reel had played, Bruce's lighting guy Marc Brickman (Lighting Director) took all of the tapes. So we (WMMR) never got a good copy of the show”. The concert broadcast was also likely to have been submitted to some kind of auto-limiter, designed to limit the volume difference between loud and quiet segments. This effect is audible throughout the FM broadcast. Contrary to myth the police siren heard at the conclusion of “Incident On 57th Street” is an audio prop that had been utilized at a few of Bruce’s shows just prior to this one, i.e. it was not a real vehicle.

The Saint, The Incident & The Main Point Shuffle – Masters Plus

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The Saint, The Incident & The Main Point Shuffle - Masters Plus Great Dane Records – # GDR CD 9012 M+ - 05.02.1975 - The Main Point, Bryn Mawr, PA - Disc 1 - 01. Incident On 57th Street 02. Mountain Of Love 03. BornTo Run 04. The E Street Shuffle 05. Thunder Road – Wings For Wheels 06. I Want You 07. Spirit In The Night 08. She’s The One 09. Growin’ Up 10. It’s Hard To Be A Saint In The City 11. Jungleland - Disc 2 - 01. Kitty’s Back 02. New York City Serenade 03. Rosalita (Come Out Tonight) 04. 4th Of July, Asbury Park (Sandy) 05. A Love So Fine 06. For You 07. Back In The U.S.A. - Notes - + Brucebase (05.02.1975): One show, held as a benefit for the ~270 seat coffeehouse, with Springsteen & The E Street Band the sole act on the bill. The show was emceed by DJ Ed Sciaky and began just after 9.00pm. It was not a true simulcast, rather it was broadcast by WMMR-FM on about a 2 hour delay the same night. Interestingly, Springsteen almost backed out of his promise to allow the show to be broadcast. He wanted to play new songs that were still unfinished - it took a concentrated effort by Sciaky on the day of the concert to talk Bruce round. An attendee review of the show from 1975 by critic David Fricke states the show took place on February 3rd, but this appears to be an error by Fricke given detailed interview comments by Sciaky and the recollections of other attendees. Press reports suggest that Springsteen raised over $1,000 for the Main Point. The complete show was broadcast and the above-noted 18 song setlist represents the entire concert. Not only is it one of the longest (160 minutes) single-show gigs up to this point but it's one of the most compelling performances of Springsteen's entire career. There are spellbinding renditions of “Incident", “New York City Serenade” and "For You" (in the solo piano arrangement), the earliest known performances of "Mountain Of Love" and "Thunder Road" (with work-in-progress "Wings For Wheels" title/lyrics) plus a wild, majestic version of Chuck Berry's "Back In The U.S.A.". This famous show has circulated on vinyl boots and tapes since the mid-'70s, but rarely the entire show (early vinyl boots were missing the final 6 songs in the setlist) and always in variable quality. The entire performance is now available in outstanding (though not flawless - see below) sound quality on the CDs ‘The Saint, The Incident & The Main Point Shuffle', in improved quality with a 'Masters Plus' subtitle (both Great Dane), ‘You Can Trust Your Car To The Man Who Wears The Star’ (Labor of Love) and most recently (and in the finest overall quality yet) on 'Prodigal Son At The Main Point' (Prodigal Son) and ‘Main Point Night’ (Crystal Cat). Also released to retail stores in the UK on a 2 CD set entitled 'Live At The Main Point' (Left Field Media) in April 2011. This is not an official Sony release, rather an enterprising record label taking advantage of a legal loophole. Unfortunately this release suffers from the same sonic problems detailed below and sounds much the same as the other releases. In July 2011 the final 63 minutes finally emerged in improved quality, thanks to a home-taping enthusiast from Philadelphia. He recorded the concert on reel at 3-3/4 IPS, and the result is a significant upgrade. The quality may not quite match the pre-FM segment, but it is the best we can expect unless a pre-FM source of the last hour should be found. A promotion-only 7” flexidisc issued to subscribers of Austrian pop magazine ‘Rennbahn Express’ in June 1981 contains Sciaky’s intro from this show, albeit edited to avoid references to WMMR and The Main Point. Thanks to Lost in the Flood for the flexidisc info. The final 63 minutes or so of this show (from around eight minutes into "Kitty's Back" onwards) has never surfaced in collector circles in quite as crisp, clear and dynamic a sound quality as the rest of the show. There are a couple of possible explanations for this but the most likely reason is that the early part of the show has been sourced from pre-broadcast reels (or copies of them) but the latter part of the show is sourced from a broadcast reel (which involves compression). In an interview in Backstreets Magazine #82 Ed Sciaky mentioned some important information, "We didn't have a phone line from the Main Point, so they had to tape the show in hour-long segments and then drive them to the station and put them on the air... and after the final reel had played, Bruce's lighting guy Marc Brickman (Lighting Director) took all of the tapes. So we (WMMR) never got a good copy of the show”. The concert broadcast was also likely to have been submitted to some kind of auto-limiter, designed to limit the volume difference between loud and quiet segments. This effect is audible throughout the FM broadcast. Contrary to myth the police siren heard at the conclusion of “Incident On 57th Street” is an audio prop that had been utilized at a few of Bruce’s shows just prior to this one, i.e. it was not a real vehicle.

Prodigal Son At The Main Point

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Prodigal Son At The Main Point Prodigal Son - # PS-002-200304SPR1NGST33N - 05.02.1975 - The Main Point, Bryn Mawr, PA - Disc 1 - 01. Incident On 57th Street 02. Mountain Of Love 03. BornTo Run 04. Intro 05. The E Street Shuffle 06. Wings Forr Wheels (Thunder Road) 07. I Want You 08. Spirit In The Night 09. She’s The One 10. Growin’ Up 11. It’s Hard To Be A Saint In The City 12. Jungleland - Disc 2 - 01. Kitty’s Back 02. New York City Serenade 03. Rosalita (Come Out Tonight) 04. 4th Of July, Asbury Park (Sandy) 05. A Love So Fine 06. For You 07. Back In The U.S.A. - Notes - + Brucebase (05.02.1975): One show, held as a benefit for the ~270 seat coffeehouse, with Springsteen & The E Street Band the sole act on the bill. The show was emceed by DJ Ed Sciaky and began just after 9.00pm. It was not a true simulcast, rather it was broadcast by WMMR-FM on about a 2 hour delay the same night. Interestingly, Springsteen almost backed out of his promise to allow the show to be broadcast. He wanted to play new songs that were still unfinished - it took a concentrated effort by Sciaky on the day of the concert to talk Bruce round. An attendee review of the show from 1975 by critic David Fricke states the show took place on February 3rd, but this appears to be an error by Fricke given detailed interview comments by Sciaky and the recollections of other attendees. Press reports suggest that Springsteen raised over $1,000 for the Main Point. The complete show was broadcast and the above-noted 18 song setlist represents the entire concert. Not only is it one of the longest (160 minutes) single-show gigs up to this point but it's one of the most compelling performances of Springsteen's entire career. There are spellbinding renditions of “Incident", “New York City Serenade” and "For You" (in the solo piano arrangement), the earliest known performances of "Mountain Of Love" and "Thunder Road" (with work-in-progress "Wings For Wheels" title/lyrics) plus a wild, majestic version of Chuck Berry's "Back In The U.S.A." This famous show has circulated on vinyl boots and tapes since the mid-'70s, but rarely the entire show (early vinyl boots were missing the final 6 songs in the setlist) and always in variable quality. The entire performance is now available in outstanding (though not flawless - see below) sound quality on the CDs ‘The Saint, The Incident & The Main Point Shuffle', in improved quality with a 'Masters Plus' subtitle (both Great Dane), ‘You Can Trust Your Car To The Man Who Wears The Star’ (Labor of Love) and most recently (and in the finest overall quality yet) on 'Prodigal Son At The Main Point' (Prodigal Son) and ‘Main Point Night’ (Crystal Cat). Also released to retail stores in the UK on a 2 CD set entitled 'Live At The Main Point' (Left Field Media) in April 2011. This is not an official Sony release, rather an enterprising record label taking advantage of a legal loophole. Unfortunately this release suffers from the same sonic problems detailed below and sounds much the same as the other releases. In July 2011 the final 63 minutes finally emerged in improved quality, thanks to a home-taping enthusiast from Philadelphia. He recorded the concert on reel at 3-3/4 IPS, and the result is a significant upgrade. The quality may not quite match the pre-FM segment, but it is the best we can expect unless a pre-FM source of the last hour should be found. A promotion-only 7” flexidisc issued to subscribers of Austrian pop magazine ‘Rennbahn Express’ in June 1981 contains Sciaky’s intro from this show, albeit edited to avoid references to WMMR and The Main Point. Thanks to Lost in the Flood for the flexidisc info. The final 63 minutes or so of this show (from around eight minutes into "Kitty's Back" onwards) has never surfaced in collector circles in quite as crisp, clear and dynamic a sound quality as the rest of the show. There are a couple of possible explanations for this but the most likely reason is that the early part of the show has been sourced from pre-broadcast reels (or copies of them) but the latter part of the show is sourced from a broadcast reel (which involves compression). In an interview in Backstreets Magazine #82 Ed Sciaky mentioned some important information, "We didn't have a phone line from the Main Point, so they had to tape the show in hour-long segments and then drive them to the station and put them on the air... and after the final reel had played, Bruce's lighting guy Marc Brickman (Lighting Director) took all of the tapes. So we (WMMR) never got a good copy of the show”. The concert broadcast was also likely to have been submitted to some kind of auto-limiter, designed to limit the volume difference between loud and quiet segments. This effect is audible throughout the FM broadcast. Contrary to myth the police siren heard at the conclusion of “Incident On 57th Street” is an audio prop that had been utilized at a few of Bruce’s shows just prior to this one, i.e. it was not a real vehicle.

You Can Trust Your Car To The Man Who Wears The Star

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You Can Trust Your Car To The Man Who Wears The Star Labour Of Love - # Love 022-023 - 05.02.1975 - The Main Point, Bryn Mawr, PA - Disc 1 - 01. Incident On 57th Street 02. Mountain Of Love 03. BornTo Run 04. The E Street Shuffle 05. Thunder Road 06. I Want You 07. Spirit In The Night 08. She’s The One 09. Growin’ Up 10. It’s Hard To Be A Saint In The City 11. Jungleland - Disc 2 - 01. Kitty’s Back 02. New York City Serenade 03. Rosalita (Come Out Tonight) 04. 4th Of July, Asbury Park (Sandy) 05. A Love So Fine 06. For You 07. Back In The U.S.A. - Notes - + Brucebase (05.02.1975): One show, held as a benefit for the ~270 seat coffeehouse, with Springsteen & The E Street Band the sole act on the bill. The show was emceed by DJ Ed Sciaky and began just after 9.00pm. It was not a true simulcast, rather it was broadcast by WMMR-FM on about a 2 hour delay the same night. Interestingly, Springsteen almost backed out of his promise to allow the show to be broadcast. He wanted to play new songs that were still unfinished - it took a concentrated effort by Sciaky on the day of the concert to talk Bruce round. An attendee review of the show from 1975 by critic David Fricke states the show took place on February 3rd, but this appears to be an error by Fricke given detailed interview comments by Sciaky and the recollections of other attendees. Press reports suggest that Springsteen raised over $1,000 for the Main Point. The complete show was broadcast and the above-noted 18 song setlist represents the entire concert. Not only is it one of the longest (160 minutes) single-show gigs up to this point but it's one of the most compelling performances of Springsteen's entire career. There are spellbinding renditions of “Incident", “New York City Serenade” and "For You" (in the solo piano arrangement), the earliest known performances of "Mountain Of Love" and "Thunder Road" (with work-in-progress "Wings For Wheels" title/lyrics) plus a wild, majestic version of Chuck Berry's "Back In The U.S.A.". This famous show has circulated on vinyl boots and tapes since the mid-'70s, but rarely the entire show (early vinyl boots were missing the final 6 songs in the setlist) and always in variable quality. The entire performance is now available in outstanding (though not flawless - see below) sound quality on the CDs ‘The Saint, The Incident & The Main Point Shuffle', in improved quality with a 'Masters Plus' subtitle (both Great Dane), ‘You Can Trust Your Car To The Man Who Wears The Star’ (Labor of Love) and most recently (and in the finest overall quality yet) on 'Prodigal Son At The Main Point' (Prodigal Son) and ‘Main Point Night’ (Crystal Cat). Also released to retail stores in the UK on a 2 CD set entitled 'Live At The Main Point' (Left Field Media) in April 2011. This is not an official Sony release, rather an enterprising record label taking advantage of a legal loophole. Unfortunately this release suffers from the same sonic problems detailed below and sounds much the same as the other releases. In July 2011 the final 63 minutes finally emerged in improved quality, thanks to a home-taping enthusiast from Philadelphia. He recorded the concert on reel at 3-3/4 IPS, and the result is a significant upgrade. The quality may not quite match the pre-FM segment, but it is the best we can expect unless a pre-FM source of the last hour should be found. A promotion-only 7” flexidisc issued to subscribers of Austrian pop magazine ‘Rennbahn Express’ in June 1981 contains Sciaky’s intro from this show, albeit edited to avoid references to WMMR and The Main Point. Thanks to Lost in the Flood for the flexidisc info. The final 63 minutes or so of this show (from around eight minutes into "Kitty's Back" onwards) has never surfaced in collector circles in quite as crisp, clear and dynamic a sound quality as the rest of the show. There are a couple of possible explanations for this but the most likely reason is that the early part of the show has been sourced from pre-broadcast reels (or copies of them) but the latter part of the show is sourced from a broadcast reel (which involves compression). In an interview in Backstreets Magazine #82 Ed Sciaky mentioned some important information, "We didn't have a phone line from the Main Point, so they had to tape the show in hour-long segments and then drive them to the station and put them on the air... and after the final reel had played, Bruce's lighting guy Marc Brickman (Lighting Director) took all of the tapes. So we (WMMR) never got a good copy of the show”. The concert broadcast was also likely to have been submitted to some kind of auto-limiter, designed to limit the volume difference between loud and quiet segments. This effect is audible throughout the FM broadcast. Contrary to myth the police siren heard at the conclusion of “Incident On 57th Street” is an audio prop that had been utilized at a few of Bruce’s shows just prior to this one, i.e. it was not a real vehicle.

Kansas City Carboy

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Kansas City Carboy Bruce Tree Service Vol. 1 - # BTS 1 - 16.06.1978 - Memorial Hall, Kansas City, MO - Disc 1 - 01. Darkness On The Edge of Town 02. For You 03. The Promised Land 04. Prove It All Night 05. Racing In The Street 06. Thunder Road 07. Jungleland 08. Paradise By The C 09. Fire 10. Adam Raised A Cain - Disc 2 - 01. Mona 02. She’s The One 03. Growin’ Up 04. Backstreets 05. Rosalita (Come Out Tonight) 06. The Promise 07. Born To Run 08. Tenth Avenue Freeze-Out 09. Quarter To Three - Notes - + Brucebase (16.06.1978): Soundboard source - incomplete tape. Great versions of "Adam Raised a Cain" and "Quarter To Three". Audience tape also exists which includes the first three songs in good quality. Released on CD "Kansas City Carboy" (BTS1) - soundboard only and CDR "This is For You... But You Gotta Shut Up" (Buckshot) which is a cleaned up version of the soundboard, with the addition of the first three tracks from the audience recording.

Driving That Dusty Road

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Driving That Dusty Road The Godfatherecords - # G.R. 530-531 - 16.06.1978 - Memorial Hall, Kansas City, MO - Disc 1 - 01. Darkness On The Edge of Town 02. For You 03. The Promised Land 04. Prove It All Night 05. Racing In The Street 06. Thunder Road 07. Jungleland 08. Paradise By The C 09. Fire 10. Adam Raised A Cain - Disc 2 - 01. Mona 02. She’s The One 03. Growin’ Up 04. Backstreets 05. Rosalita (Come Out Tonight) 06. The Promise 07. Born To Run 08. Tenth Avenue Freeze-Out 09. Quarter To Three - Notes - + Brucebase (16.06.1978): Soundboard source - incomplete tape. Great versions of "Adam Raised a Cain" and "Quarter To Three". Audience tape also exists which includes the first three songs in good quality. Released on CD "Kansas City Carboy" (BTS1) - soundboard only and CDR "This is For You... But You Gotta Shut Up" (Buckshot) which is a cleaned up version of the soundboard, with the addition of the first three tracks from the audience recording. - + More Info: Excellent review in Collectors Music Reviews

My Italian Home (It Blowed Away)

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My Italian Home (It Blowed Away) The Godfatherecords - # G.R. 147-148 - 12.05.2006 - Datch Forum, Milan, ITALY - Disc 1 - 01. Intro 02. Jesse James 03. O Mary Don't You Weep 04. Johnny 99 05. John Henry 06. Eyes On The Prize 07. Old Dan Tucker 08. Cadillac Ranch 1 09. Eire Canal 10. My Oklahoma Home 11. If I Should Fall Behind 12. Mrs McGrath - Disc 2 - 01. How Can A Poor Man Stand Such Times And Live? 02. Jacob's Ladder 03. We Shall Overcome 04. Open All Night 05. Pay Me My Money Down 06. My City Of Ruins 07. Ramrod 08. You Can Look (But You Better Not Touch) 09. When The Saints Go Marching In 10. Buffalo Gals - Notes - 1 Includes “Mystery Train” -  + Brucebase (12.05.2006): Available on CD "My Italian Home (It Blowed Away)" (Godfather) and "Milano Session Night" (Crystal Cat). Show includes a remarkable "My City Of Ruins", with Bruce clearly taken aback by the crowd's singing of the chorus. "Jesse James" moved to the opening slot, and tour premiere for the texicali "Ramrod.

Milano Session Night

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Milano Session Night Crystal Cat – # CC 799-00 - 12.05.2006 - Datch Forum, Milan, ITALY - Disc 1 - 01. Intro 02. Jesse James 03. O Mary Don't You Weep 04. Johnny 99 05. John Henry 06. Eyes On The Prize 07. Old Dan Tucker 08. Cadillac Ranch 1 09. Eire Canal 10. My Oklahoma Home 11. If I Should Fall Behind 12. Mrs McGrath - Disc 2 - 01. Intro 02. How Can A Poor Man Stand Such Times And Live? 03. Jacob's Ladder 04. We Shall Overcome 05. Open All Night 06. Pay Me My Money Down 07. My City Of Ruins 08. Ramrod 09. You Can Look (But You Better Not Touch) 10. When The Saints Go Marching In 11. Buffalo Gals - Notes - 1 Includes “Mystery Train” -  + Brucebase (12.05.2006): Available on CD "My Italian Home (It Blowed Away)" (Godfather) and "Milano Session Night" (Crystal Cat). Show includes a remarkable "My City Of Ruins", with Bruce clearly taken aback by the crowd's singing of the chorus. "Jesse James" moved to the opening slot, and tour premiere for the texicali "Ramrod.

Greetings From South Kensington

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Greetings From South Kensington Doberman – # DBM 034-35 - 22.04.1996 - Royal Albert Hall, London, ENGLAND - Disc 1 - 01. The Ghost Of Tom Joad 02. Adam Raised A Cain 03. Straight Time 04. Highway 29 05. Darkness On The Edge Of Town 06. Johnny 99 07. Nebraska 08. Sell It And They Will Come 09. The Angel 10. Brothers Under The Bridge 11. Born In The U.S.A. 12. Dry Lightning 13. Spare Parts - Disc 2 - 01. Youngstown 02. Sinaloa Cowboys 03. The Line 04. Balboa Park 05. Across The Border 06. Blinded By The Light 07. This Hard Land 08. Streets Of Philadelphia 09. Galveston Bay 10. The Promised Land - Notes - + Brucebase (22.04.1996): Audience tape. First ever live performance of "The Angel", a song Bruce once said he would never perform live. It will not be played again until November 22nd 2009 in Buffalo, NY. Also the European live debut of "Blinded By The Light".